Superboys of Malegaon is a delight to watch, raves Deepa Gahlot.
Brave New World deviates from the Marvel template and takes a route of a paranoid thriller with a politically charged narrative, observes Mayur Sanap.
Watching Bazooka is like trying to figure out a long drawn-out puzzle that never makes sense, observes Arjun Menon.
Babil's palpable reactions to invasion of privacy make a strong case for Logout's plausible scenario, observes Sukanya Verma.
Performances by Nimrat Kaur and Amol Parashar make the rather unimaginative show watchable, observes Deepa Gahlot.
Dhoom Dhaam is a medley of midnight shenanigans that oscillate between jumbled screenplay and out-of-place crusading, notes Sukanya Verma.
An upright police officer fighting wrongdoing is something we have seen umpteen times before, but Khakee: The Bengal Chapter holds our interest, thanks to a layered and complex story with a dozen of well-detailed characters, observes Mayur Sanap.
The temptation for larger-than-life superstardom is understandable but Varun Dhawan is still too much of a Baby to be a John, notes Sukanya Verma.
Prabhas never looked more heroic and magnetic than he did in the dual role of Amarendra and Mahendra Baahubali, applauds Mayur Sanap after watching the nearly four hour-long Baahubali: The Epic.
Shahid's heft is the only thing that keeps up the momentum in a mediocre rehash, dumbed down by flimsy motive and mindless bravado, sighs Sukanya Verma.
Everyone had high expectations of season 3, expecting the same level of emotion, the same thrills, and the same cinema. But it failed to deliver, feels Vihaan Kulkarni.
Himesh Reshammiya does not have the swag or the acting chops to play a loose cannon cop, sighs Deepa Gahlot.
'It's far-fetched to say that human thinking will become subservient.'
The nationalism of Sky Force is low key -- which is its weakness, as well as its strength -- and it does not manipulate the audience into a pre-decided hate-the-enemy response, observes Deepa Gahlot.
Be it as a source of fire, secret or endgame, everything is seen through the prism of sex and good looks in The Royals, observes Sukanya Verma.
Patrick Graham's crime documentary The Dupatta Killer gives all sides of the story and leaves it to the viewer to fill in the blanks, notes Deepa Gahlot.
Every year has its share of duds and turkeys. 2024 was no different except that even the rotten ones are too drab to have any real offence value.
Food delivery and quick commerce firm Eternal, which owns the Zomato and Blinkit brands, on Thursday reported a consolidated net profit of Rs 65 crore for the second quarter ended September.
A superficial drama that never rises above its boring sentimentality, notes Mayur Sanap.
Mere Husband Ki Biwi collapses into an unremarkable My Best Friend's Wedding knock-off reducing a woman's worth to a catfight, observes Sukanya Verma.
Crime Beat is engrossing enough to binge-watch, endorses Deepa Gahlot.
If you disregard history and are ready to watch Kesari 2 purely as an entertainer, you are definitely going to enjoy it, feels Utkarsh Mishra.
Whatever the reviews may say, the makers of the Diwali release, Ek Deewane ki Deewaniyat, seemed happy to organise a special screening for their friends from the industry.
Naga Chaitanya and Sai Pallavi's competent performances barely elevate this romantic drama, which prefers patriotic thrills, observes Arjun Menon.
Palak and Anuja endear us to their bittersweet world, observes Sukanya Verma.
'Winning awards, everything, I don't think you can plan all these things. You don't go out there wanting to make a film saying, 'this film will win an award'. You can't do art with that intent.'
Such a collection of amiable characters were last seen in Panchayat. There are greedy dowry seekers, criminals, misogynists and the like, but the collective goodness of the others keep violence and male chauvinism in check, notes Deepa Gahlot.
Hemantkumar Shivsharan lists lady cops that have wowed us on OTT shows.
The Brutalist reaches its full potential, thanks not just to its writing and its technical brilliance but also Adrien Brody's performance, applauds Deepa Gahlot.
'After the first Kantara, when they announced the second one, I kind of knew he will call me. I had this instinct. Then he called me at midnight and I didn't pick up. I was like, I'm not talking to anybody at 12 at night. The following day, I called and we chatted. He said, I have to narrate you something. I said, I know, it's Kantara!'
Kesari 2 has more style than substance on its mind, feels Sukanya Verma.
Dark, disturbing and full of gore, Fateh is gung-ho in its efforts to make this stylised action yarn as brutal as possible, observes Mayur Sanap.
A social media spat erupted on X between TheLiverDoc and Zoho Corporation's Chief Scientist, Sridhar Vembu, after the later endorsed a claim linking childhood vaccinations to autism.
As it meanders along The Mehta Boys can't decide what it wants to be -- a comedy, an emotional family drama or just a slice of life in the city, observes Deepa Gahlot.
Nadaaniyan's lack of charm, chemistry and cheek fails to create any ripples sighs Sukanya Verma.
Kunal Kohli's attempt to bottle the essence of Gen Z in Bobby Aur Rishi Ki Love Story remains superficial, observes Deepa Gahlot.
There is much in Oops! Ab Kya? that continues to linger till the cliff-hanger in the final episode. And yet, there's a great deal about the show that doesn't quite come together, observes Mayur Sanap.
'I have been in love with a career on the big screen, validated by box office numbers.' 'I never expected the love back to be instantaneous.'
The possibilities of this serviceable thriller are immense but the makers prefer to play it safe and hold back the daredevil in the diplomat's clothing, observes Sukanya Verma.
Doctors has soap opera level of plot developments that veer off to melodrama and struggle to keep you engaged, observes Mayur Sanap.
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